Best Books on Writing

Best Nonfiction Books on Writing

Best nonfiction book: “The Well-Fed Writer” by Peter Bowermann

Best Nonfiction Book - The Well-Fed Writer

Best nonfiction book nominee: The Well-Fed Writer
Best nonfiction author nominee: Peter Bowermann
Book summary writer: Mollie Player

Best nonfiction book? Why?

The Well-Fed Writer encourages the self-proclaimed starving artist to man up, pick up the phone and sell his work. That is why it’s among the best.

Best nonfiction book? What’s in it?

Cold calling. Lots and lots of cold calling for freelance writers.

Some of the authors’ freelance writing tips:

  • Make a portfolio.
  • Write a professional bid letter and cover letter.
  • Get a logo.
  • Save receipts.
  • Use an assistant.
  • Get a recorder.
  • Get Strunk & White, a style manual and other books of the trade.
  • Make peakerphone and microcassette recorder, color printer, etc.
  • Make a brochure or info packet.
  • Get a business card.
  • Be a standout vendor! Under-promise, over-deliver.
  • Deliver early.
  • Get referrals to new clients from every client you work for.
  • Form personal relationships with clients and check up on them from time to time.
  • Send thank you notes and Christmas cards to remind clients you’re around.
  • Include in your quote meeting time, two rounds of edits, transport time, research and interviews, etc.
  • Use job agents.
  • Learn technical writing and writing software.
  • Do pro-bono work for nonprofits and friends.
  • Did I mention cold calling? Cold call 50 businesses per day.
  • Keep notes.

Contact: ad agencies, graphic designers, marketing companies, PR firms, book publishers (for editing work), event production companies, and the communication departments, marketing departments and sales departments of corporations.

For more information on this best nonfiction book, see:

This information still to come.

Best nonfiction book: “Aspects of the Novel” by E.M. Forster

Best Nonfiction Book

Best nonfiction book: Aspects of the Novel 
Best nonfiction author: E. M. Forster

Book summary writer: Mollie Player

Unique appeal of this best nonfiction book:

Could the author of A Passage to India, Howard’s End and A Room With a View possibly have anything to teach us about masterful novel writing? I’d say so. I heard several of the quotes below long before reading this book, and little wonder: they’re unique, revealing and succinct.

Selected quotes from this best nonfiction book:

On story:

  • What the story does do in this particular capacity, all it can do, is to transform us from readers into listeners, to whom ‘a’ voice speaks, the voice of the tribal narrator, squatting in the middle of the cave, and saying one thing after another until the audience falls asleep among their offal and bones. The story is primitive, it reaches back to the origins of literature, before reading was discovered, and it appeals to what is primitive in us. That is why we are so unreasonable over the stories we like, and so ready to bully those who like something else.”

On characterization:

  • “And now we can get a definition as to when a character in a book is real: it is real when the novelist knows everything about it. He may not choose to tell us all he knows—many of the facts, even of the kind we call obvious, may be hidden. But he will give us the feeling that though the character has not been explained, it is explicable . . .”
  • “The test of a round character is whether it is capable of surprising in a convincing way. If it never surprises, it is flat. If it does not convince, it is a flat pretending to be round.”

On point of view:

  • “The novelist who betrays too much interest in his own method can never be more than interesting; he has given up the creation of character and summoned us to help analyse his own mind, and a heavy drop in the emotional thermometer results.”
  • “May the writer take the reader into his confidence about his characters? Answer has already been indicated: better not. It is dangerous, it generally leads to a drop in the temperature, to intellectual and emotional laxity, and worse still to facetiousness, and to a friendly invitation to see how the figures hook up behind. ‘Doesn’t A look nice—she always was my favourite.’ ‘Let’s think of why B does that—perhaps there’s more in him than meets the eye—yes, see—he has a heart of gold—having given you this peep at it I’ll pop it back—I don’t think he’s noticed.’ ‘And C—he always was the mystery man.’ Intimacy is gained but at the expense of illusion and nobility. It is like standing a man a drink so that he may not criticize your opinions.”
  • “It is not dangerous for a novelist to draw back from his characters, as Hardy and Conrad do, and to generalize about the conditions under which he thinks life is carried on. It is confidences about the individual people that do harm, and beckon the reader away from the people to an examination of the novelist’s mind. Not much is ever found in it at such a moment, for it is never in the creative state: the mere process of saying, ‘Come along, let’s have a chat,’ has cooled it down.”

On plot:

  • “Let us define a plot. We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. ‘The king died and then the queen died,’ is a story. ‘The king died, and then the queen died of grief’ is a plot.”
  • “If it is in a story we say ‘and then?’ If it is in a plot we ask ‘why?’ That is the fundamental difference.”

For more information on this best nonfiction book, see:

Aspects of the Novel  on Amazon

E.M. Forster on Wikipedia

Best nonfiction book: “Writing Irresistible Kidlit”

Best Nonfiction Book - Punished by Rewards

Best nonfiction book: Writing Irresistible Kidlit: The Ultimate Guide to Crafting Fiction for Young Adult and Middle Grade Readers  
Best nonfiction author: Mary Kole

Book summary writer: Mollie Player

Best nonfiction book quote:

The only thing a reader wants, at the end of the day, is to care about a character and a story.”

For more information on this best nonfiction book, see:

Writing Irresistible Kidlit on Amazon